Mukkabaaz – A solid Anurag Kashyap Punch!!!
Anurang Kashyap brings a punch true to its genre where right from performances to writing, one liners to motivational lyrics, music to background score, from fear factor to the moment of victory; Mukkabaaz roars. In victory lies failure; in failure lies victory.
A story inspired by true events and facts; keeps you intrigued to the plot unfolding events. Mukkabaaz brings lot of hakka-bakka moments. Jimmy Shergil is the super mogambo of the film who has Zero opportunity to say “Mogambo khush hua” with every defeat he becomes more and more mean. He comes as a great menace and you love watching him. Mukkabaaz is one of his best performances till date where without punches he leaves a great punch. High on ego, high on cruelty, zero forgiving character, playing Bhagwan he brings a super shaitaan on screen. You literally wait for him to appear on screen. The magic of Bad man is high. He is cruel giving tough to everybody but the Hero.
The Hero Vineet Kumar Singh comes from the school of Anurag Kashyap films and seems he graduated brilliant. This is a film that puts him right out there showcasing how content can open the wide spectrum to bring the performance on the platter and make you shine bright. He gets everything right, be it an attitude required by the character he plays, be it his physique as a boxer and of course the brawl he takes at the full throttle. He shapes out marvelous as Shravan, who back answers and gives his parents on their face; when passion becomes fashion, you laugh unapologetically. He knocks his boss down too, when he is rubbed wrong making him go wet in his pants and then recording the same, you laugh unapologetically. You love the Hero you see has emerged. This is where Anurag Kashyap leaves his signature. Mukkabaaz comes as a real hardcore Anurag Kashyap film that is fearless, rustic and has a soul of Indian Story.
Zoya Hussain’s screen presence is brilliant, she emotes and speaks through her eyes, her persona is strong and her character stands strong in spite of the plot where you will find Men ruling the game. Ravi Kishen is in the skin of his character; playing a coach to Shravan, he becomes a part of the scuffle he wouldn’t have. He impresses you with his diction, his screen presence.
Anurag Kashyap with Mukkabaaz just doesn’t take you inside the boxing ring; he gives you a true flavor of the dark truth. India is a nation where the film on boxing will make 40 crores plus business but when the actual tournament happens turning out 4000 people to watch also is a challenge. He succeeds to showcase, in spite of you having it all, you just don’t have to fight; the fight within the ring, the main fight lies outside the ring, only if you succeed outside, you land up inside the ring. The sociopolitical pressure that becomes the hindrance in not just your game but in personal life too. Vineet Kumar Singh puts a soul with his performance in the character of Shravan and you see the true story rolling on celluloid.
Mukkabaaz – Go take the real hard punch in cinemas near you.
Verdict: Gold ****
P.S. The film releases Jan 12th, 2018.
When Maera Mishra’s first negative character got her teary eyed on the sets of Guddan Tumse Na Ho Payega
Zee TV’s popular fiction show, Guddan Tumse Na Ho Payega, has been a favourite amongst TV viewers and the interesting story around Guddan (Kanika Mann) and Akshat’s (Nishant Singh Malkani) love life kept them intrigued and entertained for the past couple of years. It recently took a 20-year leap and showcased the tragic death of Akshat and Guddan and post the leap, the show now revolves around the ups and downs of their daughter, Choti Guddan’s life. Essayed by Kanika Mann herself, Choti Guddan finds her hero soon after the leap. Agatsya, the character played by Savy Thakur, is all set to give her all the happiness that she deserves. But standing in her way is Nia, who is Agastya’s soon going-to-be-wife.
Essayed by television actress Maera Mishra, Nia is a grey shaded character who although appears to be a kind and soft-hearted person to the world, is actually quite the opposite. The negative character is all set to turn Choti Guddan’s life upside down and while the actress (Maera) was beyond thrilled to portray her first ever negative character, it seems like the role’s requirements might have left her a bit overwhelmed. The actress who is anything but like her character, found it hard to emote the exact emotions and animosity that her character goes through. In fact, Maera got so affected that a particular sequence got the actress in tears.
Narrating her experience, Maera who plays the role of Nia in Guddan Tumse Na Ho Payega mentioned, “We shot for a particular scene where I am yelling and scolding a kid to eat her food. As unbelievable it might sound, but I actually began crying by the end of this scene because I am not really a person who raises my voice, and neither can I tolerate someone else doing it. We had to shoot a couple of retakes because I kept getting teary eyed. In fact, my Guddan Tumse Na Ho Payega director and the young girl that I was shooting with were trying their level best at not making me feel bad about the sequence.”
Adding further, Maera said, “This character being my first grey shade is pretty challenging for me and I am giving in my 100 per cent to do justice to the character. In fact my mom, who was earlier convincing me to play positive shades only, recently appreciated my performance in Guddan Tumse Na Ho Payega and that honestly has given me quite the boost to explore this side of myself.”
While our sweet Maera is busy planning and plotting tragedies as Nia in Choti Guddan’s life, she is unaware of the twists that are set to come in her own. As Nia and Agastya’s wedding kicks off in full swing, will the latter finally be able to express the feelings he has for Choti Guddan?
Director Sneha Shetty Kohli’s next music video ‘Tanhaai’ starring Tulsi Kumar is a soulful rock ballad
Director Sneha Shetty Kohli’s fresh new music video ‘Tanhaai’ features Tulsi Kumar and Zain Imam. A tale about rising up and out of loneliness that we often find ourselves in.
The song is in power-packed vocals of the very versatile Tulsi Kumar and composed by talented music duo Sachet-Parampara.
Sharing about the shoot of the song, Director Sneha Shetty Kohli, adds “We shot the entire song across Mumbai in just 3 days and shooting in between the pandemic with all necessary precautions and rains was challenging yet an amazing experience”. Sharing about the theme of the song, she adds, “Break ups are a part of life and to accept it and come out stronger and not lose your identity in the whole process is what makes or breaks you”.
After the success of most popular music videos like ‘Genda Phool’ featuring Jacqueline Fernandez and Badshah, ‘Dil ko Karaar Aaya’ featuring Sidharth Shukla and Neha Sharma and the top hit ‘Naagin’. Director Sneha Shetty’s next ‘Tanhaai’ is all set to rule the worldwide charts.
A trailblazer in educational innovation, Whistling Woods International hosts virtual masterclass with the team of ‘Gunjan Saxena: The Kargil Girl’
Whistling Woods International (WWI) has always served as a beacon for India’s creative community, inspiring them to greater heights of achievement and success. Amid the COVID-19 pandemic, WWI has once again led the way for India’s education sector by hosting an exclusive online masterclass session. This step provided the students of Asia’s premier Film, Communication, and Creative Arts institute with an uncompromised and unparalleled exposure to creative insights on filmmaking.
This unique online masterclass featured the cast and crew behind the acclaimed 2020 biopic Gunjan Saxena: The Kargil Girl. Present for the session were the film’s director, Sharan Sharma; writer Nikhil Mehrotra; actress Janhvi Kapoor, who played the titular character; editor and WWI alumnus Nitin Baid; and director of photography, Manush Nandan. Hosting the session was Rahul Puri, Head of Academics at WWI, who led the highly informative and engrossing session. Following an initial round of introductions, the team took turns to describe their individual contributions to the film.
Rahul Puri subsequently began the session by posing a series of questions. When asked about the portrayal of patriotism and women in the armed forces, Sharan Sharma cited about the influence of the real Gunjan Saxena. He stated, “Many cues were taken from Gunjan ma’am and the way she is in real life. She showed us a different view of patriotism, stating that this was her duty towards the country.”
The film was highly praised for its portrayal of the father-daughter relationship, with Sharan Sharma noting that the actors drew their inspiration from the real Gunjan Saxena and her father, “Gunjan ma’am always looked up to her father. Similarly, Janhvi looked up to Pankaj Tripathi and had a lot of respect for him as an actor. Hence it was a natural progression.” Janhvi Kapoor shared this opinion, stating, “I have a lot of respect for Pankaj sir. I admire him and thus forming the bond came naturally to me. Scenes with him always felt nice and were very natural.” The conversation further progressed to the way in which the film was scripted, and that the story had a lot of clarity, while Sharan narrated the script to the team.
Manush Nandan went on to describe his role in shaping the helicopter scenes in the film, and the emphasis on realism. “Sharad had suggested certain details and insisted that nothing could look unreal. The first half was easy as it was all about Gunjan ma’am growing up, but the chopper scenes in the second half weren’t something we had done before.”
As the session came to an end, Sharan Sharma praised WWI for constantly upholding the standards of education for the film industry, noting, “Hats off and congratulations to all of you at WWI. From my experience of being in film business, I have come across so many alumni who are technically skilled and extremely professional and industry-ready. In a way they have taken over the industry! We are very happy to have interacted with the students of WWI.” With the session concluded, Rahul Puri led a vote of thanks for the team.
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